Showing posts with label short stories. Show all posts
Showing posts with label short stories. Show all posts

Friday, 11 November 2022

Showtime 2022


My big writing news this month is that my short story “Men Online in the Local Area” has been published in Showtime 2022. It is about Harry, a young man living in East London, who is finding building a new life in his new home difficult. Superficially, it is about the ups and downs of using dating apps, but its real subject is about how a big, busy city can be a very lonely and difficult place to form new friendships in.

This anthology, Showtime 2022, is special to me because I am one of the editors of it.

I am a member of Newham Writers Workshop and my writing has really benefitted from it. Having honest feedback has shown me what works, in my writing, and what needs improvement. It has also helped me learn so much about writing techniques and what makes good writing. My short story, “Men Online in the Local Area”, really benefitted from this feedback. Members showed me what worked, what could enhance it, and what distracted from it. They helped me rewrite the opening of it and to work towards the ending. I won’t post the original version here because I am much happier with the finished version in Showtime 2022, it is the far better story.

Each year we, Newham Writers Workshop, produce an anthology of members’ work, called Showtime. For the past two editions (the pandemic prevented us publishing one in 2021) I’ve been one of the editors of it. My main role has been sorting out its formatting, not always easy, and getting it published on Amazon.

Showtime 2022 is a grab-bag of different types of writing. There is poetry, short stories, essays, a book synopsis and even the results of a writing exercise. They also cover a wide variety of subjects, just as varied as the different people who make up the membership of Newham Writers Workshop.

Whether read on the go or sitting back in a comfortable chair, this book is a treasure chest of different and inspiring writing, a chance to find a writer you have not heard of.

Happy reading

Drew

 

P.S. Find past editions of Showtime here

Tuesday, 21 December 2021

Based on Real People

 


I gave you good script,” Ma to Alan

Cocktail Sticks, a play by Alan Bennett

 

The writer Alan Bennett has been very open about how much he is inspired by real-life events. He has written plays and film scripts all inspired by real-life events; he has written several volumes of autobiographical essays, and every year or so he publishes extracts from his diary. I’ve seen and read all of them and enjoyed them so much. In his autobiographical play Cocktail Sticks, about his relationship with his parents, the character of Ma (based on his mother) says, “I gave you good script,” meaning he has used so many of the actual things she said in his writing.

I cannot class myself in the same writing league as Alan Bennett, but I take so much inspiration from real-life events. That inspiration seems to fall into three different types.

The first is when I want to write about events or attitudes that have made me angry or upset. This is when I use fiction to explore how I feel about a subject or when I want to write about attitudes in order to expose the negative/destructive nature of them. My short story I Always Knew is an example of this. It was the height of the Jimmy Savile scandal and I heard an elderly journalist on the radio saying that he’d always known about Savile’s crimes. My anger led me to explore that attitude, those people who are always “wise” after a tragedy, in this story.

Secondly, I can find inspiration in news headlines and real events. Sometimes it a headline and a short news item that inspires my imagination. I don’t do anymore research, instead I let my imagination dwell on those sparse descriptions or even single event and then I fill out the events and with characters I’ve created. Without researching the events any further I can make sure I am not using the people and their tragedy for my own fiction, that my story is a complete work of fiction. A Family Christmas is an example of me using this type of inspiration. There was a mass shooting in America, on Christmas Eve, the year before I wrote this story. I learnt no more about that tragedy but my imagination filled in the blanks and I created a story that explored a theme that leapt out at me from this tragedy.

I don’t always search out stories of death and tragedy, all kinds of things in the media can set my imagination off running. I read an interview with the actor Russell Tovey where he said a throwaway comment, but that comment set my imagination off. The result was the story That One Big Role.

I have also been researching historical events for a series of stories. These take a lot more research and less of my imagination filling in the blanks, though some of that is still needed. With these stories I want to examine a historical event from a fictional character’s point of view, find the human story inside the facts. These stories do take a lot of work, but I don’t want to stop writing them, the research is fascinating. The Trial of the Century is the first one in this style I wrote.

Thirdly, I find inspiration from my own life. It can either be just one small factor that I then spin off into a whole story, or else it can form a larger part of a story, or else I fictionalise something that happened to me as a way to explore what and why that thing happened.

Boxing Day 1975 is a short story of mine that was inspired by one event from my life. When I was a young child, on Boxing Day, together with my family I watched the big film on television that evening, One Million Years BC. That was the only part I took into the story, it is certainly not based on my own family but I do vividly remember how my family all sat down together to watch the same television film.

I met my first boyfriend in 1987 but our relationship did not last. Our break-up was different, difficult and not that conventional. I used that break-up scene, almost word-for-word from real life, as the opening scene of my story Out ofthe Valley. I used this story to explore obsessive love and not being able to let go of an ex-lover, none of which was my reaction to the end of that relationship, though this story did go through many rewrites over the years with the wish-fulfilment ending being quickly dropped.

Then there are those real-life encounters that play on my mind and imagination and form the bases of some of my stories. Jonathan Roven Is Lost (a story in my collection Case Studies in Modern Life) is a story that started off in that way. Through my job, I saw the effect dementia has on the partners of those people with it. My blog here gives a much fuller picture of how that story was created.

For me, there isn’t just one way that I find inspiration, but I guess that is the same for so for many writers, but using inspiration and facts from real life is very important to me, I want my stories to have that taste of authenticity.

I don’t use overheard dialog in my writing, like many writers do, because the few times I’ve heard anything decent I’ve forgotten the actual words by the time I get home. But I do use real people in my writing or people’s attitudes and beliefs. I don’t use direct copies of people; I don’t feel comfortable if readers can easily identify the person who was the inspiration for a character. So often I combine different things from different people—the attitude from one person, the clothes style from another and the physical appearance from another. But what really fascinates me are people’s attitudes and beliefs and how they affect their lives and how people’s personalities react in different situations.

For me, I find inspiration in so many different ways, so many different things can spark and inspire my imagination, but in the end it is my imagination that forms the story from whatever the inspiration is, though I always work to create authenticity in my fiction. I hope my stories bear that out.

I do remember one of the classic things my mother said, though I have never found the right story to use it in.

 

I was in my early teens and had just come home from school one afternoon and my mother was unpacking her shopping.

“I won’t buy anymore lemonade, all you lot ever do is drink it,” my mother said.

“What should we do with it, wash in it?” I said.

“You know what I mean,” she told me. And I did.

 

Happy reading

Drew

Saturday, 4 December 2021

Case Studies in Modern Life (Behind the Words)

 


Case Studies in Modern Life is my first published book and it has been a long time in writing.

I have been writing all my adult life. I was eighteen when I discovered I could write stories. At first I was writing sketches for a drama group. It was an amazing feeling turning an idea I had into something written down that worked and then watching actors perform my words. It was also the first time I realised I had an ear for dialogue. I would hear people talking in public and remember how they spoke; later, I would be able to write in the style of their dialogue.

I also experienced something else. If people enjoyed a sketch, they didn’t call “Author, author!” They really weren’t interested in who wrote it; people usually heaped their praise on the actors, and I liked that too. I could happily hide away in the shadows and carry on watching people and writing about them.

The first piece of writing I sold was a short monolog to my then local radio station. It was about someone who stole pillows, and only pillows, from stately homes. It was about getting away with the “perfect crime” because no one cared about missing pillows. It was a silly piece but again, when it was broadcast, I could hide away behind the knowledge that the vast majority of people who heard it knew nothing about me.

The first short story I had published in print was a story about a gay couple spending Christmas apart because one wasn’t out to his family. It wasn’t a happy story; I’d wanted to capture the reality of life for some people. But as I saw my own story in print, with my name attached to it, I had a marvellous feeling. The vast majority of people who read this story had no idea who I was. I could communicate with people and all they knew about me was my name on a magazine page. People read it without any prejudice against who I was. They would like the story, or not, based solely on its content. That felt so good.

You’ll be sensing a theme by now; I like to hide behind my writing. My writing isn’t about me rehashing my life as fiction, rewriting my life so that I always come out on top, re-writing history so that I am always the winner. My writing is my way of exploring themes and events that fascinate me or make me angry. I want to find the people behind a subject. I don’t want to be the focus of my writing.

The theme of Case Studies in Modern Life also took a long time to come about. Coming out as gay changed my life in many ways and it certainly gave me something to write about. As I explored my gay life, I found there were so many different things to write about. At first, I wrote wish fulfilment stories. I was in my twenties and wanted the best of all possible worlds. As I grew older and experienced more of life, I saw the ways in which gay men adapt to the challenges of their lives or don’t, and this started to fascinate me. How do gay men maintain relationships with lovers, friends and relatives? How does being gay affect our attitudes to health and illness? How and where do gay men find a place for themselves in this world? After reading some of my stories, a friend of mine suggested that I put together a collection about gay life that didn’t focus on the typical subjects of dating apps and finding a boyfriend. I am so grateful for her advice.

The stories in this collection cover some of my favourite themes to write about. There are stories about sex, not sex stories about people’s attitude to sex, which I find endlessly fascinating. There are stories about relationships. Not stories about trying to find a boyfriend, but stories about how relationships work or don’t work; the compromises we make inside relationships and that unique moment of joy that I thought we might never see. There are stories about the issues gay men can face in our modern world, some that only gay men face and some that are universal to all people. And there are stories about how health, ill health and a change in health can affect someone’s life, but this is something I have seen first-hand (though all the characters in this collection are fictitious).

If you read my collection please leave a comment about it, on Amazon, and if you are minded please review it on Amazon. Comments and reviews drive people to my work, as they do for any author.

Case Studies in Modern Life can be found here on Amazon.co.uk and here on Amazon.com

Drew